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O somma luce

8.2

类型：科幻地区：泰国年份：2012 语言：中字

主演：/Giorgio Passerone/

导演：Kenny Doughty,李元郑,杰夫·伯勒尔

上次更新：2025-01-11 03:21:31

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

胖达爱吃肉:刚刚

渐渐地，丹尼尔与苏珊发现他们的处境是多么危险，在浩瀚的海洋中，令人心旷神怡的浅绿色只是它障眼的外衣，其深远的腹地蕴藏着巨大的黑色力量，催生着恐惧的繁衍。
浅本:4分钟前

不同于常规主旋律片着力于爱国热情和苦难展现，将宏大叙事还原到一个个具体的、生动的人身上，当生活常态与疫情交织，格外展现出一线抗疫者们的伟大。
黑岩风_乱_絮:7分钟前

田欣可怜老人的现状，也为他与老伴之间的爱情感动，她决定委托“甜蜜生活”公司，还原一段过去的时光，让老人与老伴重逢。
鱼狱圄:1分钟前

当然，如果导演对客观世界的主观思想有所变化时，他(她)所表现的主题也就会在改变。
极行天下:6分钟前

于是珍妮脱掉所有的衣服，叉开双腿指着自己的XX说：这才是正确的地方，快进来。
云外一抹红:5小时前

对于柳岩饰演的海娇来说，作为严谨的同事，起初是和众人有着相同的态度的。
梦里误入桃花:7小时前

也就从这一刻起，她经常能够看到面容阴森、无处不在的短发小女孩。
黑白双子瞄:5小时前

在姐姐海伦的执意劝说下，希妮答应做角膜移植手术，她的世界重见光明。
叁四:3小时前

2010年9月，国家电网公司将鲁能集团的煤电产业划归整合到国网能源公司，鲁能大雁能源集团公司更名为国网能源内蒙古大雁集团有限公司。
双生橙子:1天前

那是可以和虎口脱险媲美的老牌喜剧意大利某个医院里的老人临终前，她美丽的孙女Olga飞车赶来。